USC協力展示
USC Projects
USC協力展示
USC Projects
デジタルで作られた、またはキャプチャーされた「画」を受け止める側の構造的・感覚 的プロセスを考察する探求型アートゲーム。空間や「画」の理解を概念化していく過 程を辿ることで、我々を取り囲む構造やシステムを問う契機が与えられる。
Putting together multiple generative virtual views and structures, to know a site examines the frameworks and aesthetics of how we access digitally created and captured sites. How might we access multiple perspectives and dimensions of site at once? This exploratory art game questions qualities of the architectural and of place-making practices, continuously recombining and reconstituting the generated environment and views through the user’s in-game movement, and challenging the stability of conceptions of body and environment. The work leverages multiple dimensions of visuality and aurality to gesture toward the ideological, technological, and political frameworks and processes by which we conceptualize our understandings of space and site, offering a provocation to interrogate the structures and systems around us.
メディアアーティスト、学者。カナダ国籍。理論研究とクリエイティブプラクティスを統合するために多媒体を横断し、サブカルチャー的な空間、動き・体・場の構成、それぞれの成立のプロセスや相関性についてリサーチしている。現在、USCメディアアート＋プラクティス博士課程に在籍している。
Fidelia Lam is a Canadian media artist and scholar experimenting across mediums to synthesize theoretical research with creative practice. Her work attends to processes of becoming and relation found in subcultural spaces and the compositions of movement, body, and landscape. She has exhibited, presented, and performed work across the U.S. and Canada, Asia, and Europe. She is currently an Annenberg Fellow, a Diversity, Equity, and Inclusion Fellow, and doctoral candidate in Media Arts and Practice at the University of Southern California.
